
Under a so-called anarchy and a cut and paste without apparent care we have the fantasy collection of Prada for Spring-Summer 2012. But it is apparent because in that mess that the models are made between streets, cars, bridges and all objects are carefully planned. 
And an exasperated because he wants what he sees, even smoked for the exhaust pipes of cars, bad runs butts at the pump and the smell of burger fat american 50's when these girls have not been in his life, but could. 
We get lost among all the fuss, among so many images and meanwhile oversized object but who cares in the case of Prada? As my companion said Natxo , your corporate image is exquisite, innovative and brilliant. 
Everything reminds Starsky & Hutch, Charlie's Angels to seventies, the gargantuan Los Angeles freeways in which nothing good can happen, rather than going from one place to another. 
Dreams of Esther Williams doing pirouettes in pools of champagne with their necklaces of emeralds and elegance. 
Women who drive their white Chevrolets with velvet upholstery and flower necklace strung ... 
Pleated skirts longilíneas figures could not be otherwise much we force trends , sugary sherbet colors and scooter girls we serve them. 
Grease touches of teen band in the 50 wore baseball jackets, toupees and lots of glitter in her hair and in life. 
With a touch naive, Lindsey Wixson, Kasia Struss, Ginta Lapina, Sun Fei Fei and Daphne Groeneveld which appear cutout dolls and dreams come true cut and paste from the creators of the creative image Jereon Koolhaas and Lok Jansen. And see what seen we can only say that your dreams are vitange, are cut and paste and so nostalgic like looking at a drive-American Graffiti Summer.
In Jared | The art of love Prada and James Lima by
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