Jil Sander inside. Jil Sander out. German designer after his own firm, a designer who does not feel comfortable with Patrizio Bertelli of Prada after buying the firm for this and designer that goes. 2012 designer who returns after a period in which Raf Simons (now in Dior) cultivated the brand very well and his own career. What about this after this summary in the form of wire? There is a new collection autumn-winter 2013/2014.
Apathy I generated the Fashion Week in Milan , Versace and Pucci with so many of life, the counter brands like Jil Sander or Prada (always innovating, of whatever form), to name two. Now, with the German designer back there curious to see the new Jil Sander.
Like any good then (because even though it is his initial signature, this new phase is a continuation of Belgian designer, whose stakes are very high) Jil Sander brand their own territory and forget the last winter of Simons, the very spring winter 2012 , to make it a more logical winter regarding shades.
We speak of a dominating winter dark color palette with blue and black as clues schemes which are added others as yellow and orange intense, minimal touches of gold or gray, leaving the dark burgundy in the rear .
Jil Sander has on its most recognizable coats, dresses and coats converted at times the same process in reverse. Coats where the trend of the broader forms is not as clear for the coming winter, we could even speak of a collection which is Fitted for Jil Sander, lover of dresses and coats that come in quadruplicate.
There flirtations with tartan, in common with the Burberry Prorsum by Christopher Bailey and the usual Jil Sander, of course.
The leather is introduced in this discourse in skirts and dresses with pleats clear, playing shape cuts that plummet to below the knee.
Jil Sander is back, this time with fewer surprises and details to praise in his last spring-summer 2013 fashion but with a glare that still need to wear one.